Top Cennino Cennini Quotes

Cennino Cennini Biography

Cennino d'Andrea Cennini (c. 1360 – before 1427) was an Italian painter influenced by Giotto. He was a student of Agnolo Gaddi in Florence. Gaddi trained under his father, called Taddeo Gaddi, who trained with Giotto.

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Cennino Cennini Quotes

If you imitate the forms of a single artist through constant practice, your intelligence would have to be crude indeed for you not to get some nourishment from them.

Artist, Crude, Forms, Imitation, Practice, Single

If thou shouldst paint mountains in a good style and to look natural, take some large stones full of cracks and copy them.

Cracks, Full, Mountain, Paint, Style, Take

When painting the faces of young persons. . . use the yolk of the egg of a city hen, because they have lighter yolks than those of country hens.

Cities, Color, Country, Hen, Lighter, Yolk

If you follow the course of one man through constant practice, your intelligence would have to be crude indeed for you not to get some nourishment from it. Then you will find, if nature has granted you any imagination at all, that you will eventually acquire a style individual to yourself, and it cannot help being good; because your hand and your mind, being always accustomed to gather flowers, would ill know how to pluck thorns.

Flower, Gather, Men, Mind, Practice

This is an occupation known as painting, which calls for imagination, and skill of hand, in order to discover things not seen, hiding themselves under the shadow of natural objects, and to fix them with the hand, presenting to plain sight what does not actually exist.

Actually, Hand, Hands, Objects, Order, Sight

Do not fail, as you go on, to draw something every day, for no matter how little it is, it will be well worthwhile, and it will do you a world of good.

Art, Drawing, Fail, Good, Sketching, World

Mystery is the art of eliciting unseen things hidden in the shadow of natural ones. . . and serving to demonstrate as real the things that are not.

Art, Real, Shadow, Unseen Things

When you have practiced drawing for a while. . . take pains and pleasure in constantly copying the best works that you can find done by the hand of great masters.

Done, Drawing, Hands, Pain, Pleasure, Take

If you set out to copy after one master today and after one tomorrow, you will not acquire the style of either one or the other, and you will inevitably become fantastic, because each style will fatigue your mind.

Fantastic, Inevitably, Master, Mind, Style, Today

Take note that, before going any farther, I will give you the exact proportion of a man. Those of a woman I will disregard, for she does not have any set proportion.

Doe, Farther, Giving, Men, Proportion, Woman

In the first place you must study drawing for at least one year; then you must remain with a master at the workshop for the space of six years at least , that you may learn all the parts and members of the art. . . drawing without intermission on holidays and work-days

Art, Holiday, Master, Place, Six, Years

The most perfect steersman that you can have, and the best helm, lies in the triumphal gateway of copying from nature. And this outdoes all other models; and always rely on this with a stout heart, especially as you begin to gain some judgment in draftsmanship.

Draftsmanship, Gateway, Heart, Lying, Nature, Triumphal

Now then, you of noble mind, who love this profession, come at once to art and accept these precepts: enthusiasm , reverence, obedience, and perseverance. As soon as you can, place yourself under the guidance of a master, and remain with him as long as possible.

Accept, Art, Come, Enthusiasm, Long, Perseverance

Cennino Cennini Biography

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