It's a mark of any icon that it should be open to iconoclasm.
Science is a victim of its own reductive metaphors: 'Big Bang,' 'selfish gene' and so on. Richard Dawkins' selfish gene fitted with the Thatcherite politics of the time. It should actually be the 'altruistic gene,' but he'd never have sold as many books with a title like that.
I do believe architecture, and all art, should be content-driven. It should have something to say beyond the sensational.
I was already writing about the idea of a 'multiverse' in the 1970s, though I might have called it the 'pluriverse. ' How was I to know it would turn out to be the standard model? Actually, I consider myself an enlightenment fossil.
You know, Darwin said through natural selection things go gradually, and he was talking about pigeon's evolution or horses evolving, getting faster. But in fact if you look at evolution on a bigger scale, cosmic evolution and you look at culture evolution you see it jumps, it goes through phase changes, and that's very exciting.
Modern Architecture died in St. Louis, Missouri, on July 15, 1972, at 3. 32 p. m. (or thereabouts), when the infamous Pruitt Igoe scheme, or rather several of its slab blocks, were given the final coup de grace by dynamite.
In 1979, postmodernism lost its understanding of the meaning of ornament. It degenerated into kitsch applique.
I think any cancer patient, if you dig not too deeply, they want to live.
If you look at Gothic detailing right down to the bottom of a column or the capital of a column, it's a small version of the whole building; that's why, like dating the backbones of a dinosaur, a good historian can look at a detail of a Gothic building and tell you exactly what the rest of the building was, and infer the whole from the parts.
A placebo is a phony cure that works. This is very hard for the medical profession to get their teeth around because they hate placebos, but scientifically, placebos work in about 30% of cases that are psychogenic diseases.
If you look at any leaf on any tree branch, it's similar to but not exactly a repetition of the previous branch. So the new science of complexity or showing how an architecture can be produced just as quickly, cheaply and efficiently by using computer production methods to get the slight variation, the self-similarity.
What is the most interesting thing to people? Other people.
Cant you see, we are in a dialogue with the universe?
The singular point of beautiful objects, and people, is that they are experienced not as parts, or ratios between cheekbones and chin, but as wholes. The experience of beauty is a perception, but it is one that mixes up various other sensations and makes them converge in a particular way.
You have to believe in a placebo or it wont work, but if it works, its obviously working in some indirect way, through feedback in the immune system, let us say, or in the willpower of the patient to take a more strenuous exercise in their own therapy.
Post-Modern space is historically specific, rooted in conventions, unlimited or ambiguous in zoning and irrational or transformational in its relation of parts to whole……. …skew or distorted spaces, created by sharp angles which exaggerate perspective…. …always keep a mental coordinate system no matter how free- form and baroque they become. The reference plane is always an implied frontality, and the route through the building or the curvilinear elements then relate to this conceptual cage
Like our attitude to love, truth and goodness, we seem to be confident about knowing what beauty is - certain, even dogmatic - until we think hard about the idea, whereupon all confidence flies away.