George Nolfi is an American screenwriter, producer and director. He directed the 2011 film The Adjustment Bureau, which he also wrote (adapted from a short story by Philip K. Dick).
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, which I hope this one does, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
I just want to be able to make a movie that takes some chances. I don't just want to do something that is purely stuck in a genre box.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
There is something about dance that is actually a great tension. There is something that is incredibly freeing about dancing for dancers who do it. They tend to be really arty and interesting people in real life. At the same time, they have an incredibly rigorous training schedule.
There is something about dance that is actually a great tension. There is something that is incredibly freeing about dancing for dancers who do it. They tend to be really arty and interesting people in real life.
I don't just want to do something that is purely stuck in a genre box. I would like to have the kind of autonomy. . .
Eric Lefkofsky
Frank Schatzing
Nell Blaine
Sharron Angle
Lizzie Velasquez
Durward Gorham Hall
Aya Kito
Leslie Jordan
Aubrey O'Day
Newton B. Drury
Jacques Cartier
Sandra Pupatello