Gustavo Adolfo Dudamel Ramírez (born January 26, 1981) is a Venezuelan conductor and violinist. He is the music director of the Orquesta Sinfónica Simón Bolívar and the Los Angeles Philharmonic.
Classical music in Venezuela is now something like a pop concert. You can see people screaming or crying because they don't have a ticket.
When you play Mozart, it's so clean, it's so simple. It's the body naked.
For me to rehearse with a children's orchestra a Mahler symphony was to really work. We had three or four weeks of rehearsal with the orchestra, every day eight or nine hours, putting the First together. I had been conducting Tchaikovsky a lot and Beethoven, but Mahler was different.
Whenever I listen to a children's orchestra, I learn. They feel everything, they enjoy everything, they have amazing energy.
I want to work with the big orchestras. I want to have a big family.
I wanted to play my violin and have my musical expression through the instrument. But then I was really young when I had my first opportunity to conduct.
Recently, I went to a disco with friends, and all the young people were saying, 'Dudamel, we want to go to your concert, but it's impossible because it's sold out. ' It's really amazing.
It's a physical challenge. It's a spiritual challenge. I'm studying almost every day a different symphony, not returning to any one for a week.
Music is a fundamental human right
I love to travel, but sometimes it's nice to stay in one place.
Los Angeles is a very special city. It's a great ethnic mix, a great cultural mix.
When people feel that something really special is happening on the stage, things change.
I studied music since I was four years old, and from that moment I became part of a family. And that family has taught me things; not only musical things, but things I have to face in life, and that is where the success of the system lies
A friend gave me a CD of the 'Pathetique' Symphony as a Christmas present. I went home, and I put on the CD expecting to listen to Tchaikovsky. But it started 'ta ta ta taaa. ' It was too long for me. I didn't understand it at first, but then I fell in love, in love, in love.
Going to a concert can sometimes be very difficult. It can be a long journey. There's the ticket prices. But when the music goes to the community - not the community coming to the concert - they say, 'Wow! I didn't know that this music was so amazing!
I set out to create a means whereby music could be a way of vindicating the rights of the masses.
I have eaten very well in Los Angeles. Marvelously!
I love to read different books on completely different subjects at the same time. I cannot focus on one. I read a few pages of literature, then I jump to philosophy and at the same time I'm reading biographies of Mahler.
My relationship with the Philharmonia Orchestra brought me many times to London and I will always reflect positively on that early period of development with them - their patience, their warmth, their dedication.
My main goal, and it's a big one, is that every child has a chance to get close to music - as a right - that as they have access to food, health, and education, they get the chance to have art and culture - especially music.