Sir Gordon Howard Eliot Hodgkin CH CBE (6 August 1932 – 9 March 2017) was a British painter and printmaker. His work is most often associated with abstraction.
I look at my pictures, and I think, 'Well, how did I do that?
You keep on balancing and balancing and balancing until the picture wins, because then the subject's turned into the picture.
Collecting has been my great extravagance. It's a way of being. I collect for the same reason that I eat too much-I'm one of nature's shoppers.
In England, it's thought to be morally suspect to worry about what your surroundings look like.
Passion lies between one mark and the next, and also within all of them.
The picture surface recedes just as much in the 20th century as it did in the 15th. The techniques of making pictures have hardly changed.
I am isolated as an artist, not as a person.
My pictures really finish themselves.
I never think that anything I do is courageous.
I don't really have a historical overview of my work at all. I'm not an art historian. I don't see that there's this period and that period.
To be a painter now is to be part of a very small, endangered species.
A lot of people. . . are afraid of pictures which have visible emotions in them. They feel calmer in front of pictures which are placid.
When I finish a painting, it usually looks as surprising to me as to anyone else.
I'm vulnerable to criticism. Any artist is, because you work alone in your studio and, until recently, critics were the only way you'd get any feedback.
A painting is finished when the subject comes back, when what has caused the painting to be made comes back as an object.
It is simply impossible to control a large painting with the edge in the same way that you can control a small one.
I find old copies of National Gallery catalogues, which are written in the dryest possible prose, infinitely soothing.
My language is what I use, and if I lost that, I wouldnt be able to say anything.
I think that words are often extraneous to what I do.
The only way an artist can communicate with the world at large is on the level of feeling.