Josef Koudelka (born 10 January 1938) is a Czech–French photographer.
My photographs are proof of what happened. When I go to Russia, sometimes I meet ex-soldiers. . . They say, 'We came to liberate you. . . . ' I say: 'Listen, I think it was quite different. I saw people being killed. ' They say: 'No. We never. . . no shooting. No. No. ' So I can show them my Prague 1968 photographs and say, 'Listen, these are my pictures. I was there. ' And they have to believe me.
What matters most to me is to take photographs; to continue taking them and not to repeat myself. To go further, to go as far as I can.
I don't like captions. I prefer people to look at my pictures and invent their own stories.
I photograph only something that has to do with me, and I never did anything that I did not want to do. I do not do editorial and I never do advertising. No, my freedom is something I do not give away easily.
The changes taking place in this part of Europe are enormous and very rapid. One world is disappearing. I am trying to photograph what's left. I have always been drawn to what is ending, what will soon no longer exist.
The maximum, that is what has always interested me.
I don't pretend to be an intellectual or a philosopher. I just look.
Sometimes I photograph without looking through the viewfinder. I have mastered that well enough, it is almost as if I were looking through it.
When I photograph, I do not think much. If you looked at my contacts you would ask yourself: "What is this guy doing?" But I keep working with my contacts and with my prints, I look at them all the time. I believe that the result of this work stays in me and at the moment of photographing it comes out, without my thinking of it.
If a picture is good, it tells many different stories.
My work has no theme. I don't care if my photographs get published, and I have no interest in the news. But the invasion of Prague was not news, it was my life.
I never stay in one country more than three months. Why? Because I was interested in seeing, and if I stay longer I become blind.
I would like to see everything, look at everything, I want to be the view itself.