Michael Flutie (born October 30, 1958)[citation needed] is an American model agent, talent brand manager, and New York City-based media personality.
I think as a scout you have to pick. It is harder. You have to talk and explain that this is not just about standing one-dimensionally in front of a camera.
Now people are much more receptive because they can just go online and just Google your name and make sure you're not, you know, psycho. But, before, I think lot of opportunities were missed by a lot of girls. Also parents! The girls would go home and would say, "Oh, you know, I was just scouted. " And the parents were, like, "You're not going to be a prostitute. "
American girls are much more financially savvy - for example, if a girl went to Paris and she was going to do a fragrance campaign, she would say she wouldn't do it for less than half-a-million dollars. Whereas a girl from the Czech Republic would do it for $100,000. I think that's a really big imbalance that created the demise of the modeling industry - and it also created a gap in giving girls an opportunity to become or gain super-status.
If you look at the greatest models, it was because they were muses to photographers. They collaborated with the artist and they created the kind of images that become iconic.
You have to look for a unique quality in that person and it's not just always physical. I don't think models are great models because of their face or their body. Obviously, I think their physical characteristics are important, but I think it's very much about your personality and inner beauty and really understanding how to be a great model instinctively. And that's where it all comes from.
think it's easy to find girls in climates where their bodies are exposed. Obviously, if you go scouting in Alaska, you're not going to find anybody because they're always covered up. Anywhere there's a beach is great for scouting. And state fairs. I've gone to a lot of state fairs.
Today they have to be three-dimensional. Technology's changed, the communication, the marketing and advertising community supports beautiful girls that can be articulate and smart. And also Anna Wintour doesn't want to sit next to some girl who can't say two words.
Lack of discipline. First of all, I think some of them fail because they just don't have natural talent, and they shouldn't even be in the business to begin with.
A lot of people don't make the correlation between acting and modeling, they think of them as two separate things. But I really believe that a model is an actress.
A girl's career today doesn't have the same kind of life span, whereas it used to be a collaboration and a partnership and it continued. Peter Lindbergh still uses girls - like, look at Amber Valetta - so there are some photographers that have relationships long-term with models. I also think that the industry can't support the amount of models that exist right now and therefore the relationships between photographers and models and even the clients is short lived.
When you look at Steven Meisel's pictures and you see girls rolling around in mud or cars are blowing up? It takes a tremendous amount of courage to be able to do that. I think you have to be malleable, and that's what makes a truly great model. It's not the perfect lip or the perfect face, it's your own ability to take on a character and that's, I think, something there's a misconception about.
There's something I call telegenekicity, and it's not about just models. Of course, I can reference Iman, Tatiana Patitz, Kelly Emberg, Bonnie Berman - I go all the way back - but I think that you develop an eye to register iconic images - like Greta Garbo and Elizabeth Taylor.
America has always been the most fertile ground for models - and they were always exported to other countries. When Eastern Europe opened up its doors to the rest of the world, a lot of the girls that were basically working there for $1 a month realized that if they were beautiful and that they could go to Paris and work for $1,000 a day versus the $10,000 that the other girls were demanding. So it created a huge imbalance in the financial structure of how clients could budget out campaigns. The market became flooded.
When you see someone, you automatically start putting those people together - the eyes and the lips. And what that does is that it creates an identity with that person, so when they actually start working, the audience sees exactly what you're seeing, and they become recognizable. So instant recognition is when certain women and men have features that look like other people. So baby Gisele is, like, Linda V - that's what she was called for a long time.
Natural talent means to have the ability to transform, to evolve, to play and role-play with the photographer and the stylist. And really be an actress rather than just a mannequin. So that involves a tremendous amount of confidence and your ability to expose yourself to anything that will make a better photograph.