Patrick Albert Crispin Marber (born 19 September 1964) is an English comedian, playwright, director, actor, and screenwriter.
A couple of flop plays, a death in the family, and it could all collapse.
I think a tragedy is something where the natural order of things is completely interrupted and doesn't right itself.
Alice: It's the only way to leave. "I don't love you anymore. Goodbye. " Dan: Supposing you do still love them? Alice: You don't leave.
We arrive with our. . . 'baggage' and for a while they're brilliant, they're 'Baggage Handlers. ' We say, 'Where's your baggage?' They deny all knowledge of it. . . 'They're in love'. . . they have none. Then. . . just as you're relaxing. . . a Great Big Juggernaut arrives. . . with their baggage. It Got Held Up. One of the greatest myths men have about women is that we overpack.
The trite answer is that everything is true but none of it happened. It is emotionally true, but the events, the plotting, the narrative, isn't true of my life, though I've experienced most of the emotions experienced by the characters in the play.
Always when I directed the play, I was always trying to cast people not who were necessarily like the characters, but people who I felt had the essential component that the character had, some kind of soul for it.
I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.
I like them all - I don't always approve. I see myself as a sort of benevolent uncle to these characters, and I can see why they do what they do; sometimes they make some mistakes, but at heart I think they're decent.
I'm a Golden Globe nominee, yes. It's very nice. It's a very nice thing, but I kind of think of all the awards I wasn't ever nominated for, for years and things.
Theatre is how I first encountered art on any level.
It's one of the reasons I don't do drugs. One sniff and I'd go all the way.
I used to go with my parents and loved it, I was in school plays, and I started reading plays before I started reading novels. I'll defend it to the hilt. When theatre is good it is fabulous.
I think you owe me something for deceiving me so exquisitely.
I'm constantly having to be vigilant with a depressive tendency, an addictive tendency.
I like the varying rhythm of being a writer that you have a period of being in complete isolation where it's just you and the book and your screenplay and no-one can read it.
Where is this love? I can't see it, I can't touch it. I can't feel it. I can hear it. I can hear some words, but I can't do anything with your easy words
Everything is a version of something else.
Alice: I don’t love you anymore. Goodbye. Dan: Since when? Alice: Now. Just now.
I love everything about you that hurts.
Thank God life ends—we'd never survive it. From Big Bang to weary shag, the history of the world. Our flesh is ferocious. . . our bodies will kill us. . . our bones will outlive us.