William Kittredge (born 1932) is an American writer from Oregon, United States.
In a story, nothing is real until it is acted upon.
I wonder what my father saw in his most secret sight of the right life. It's my guess he wanted to live out his life surrounded by friends and children and fertile fields of his own designing. I tihnk he wanted to die believing he had been in one the creation of a good sweet place. Those old pilgrims believed stories in which the West was a promise, a far away place where decent people could escape the wreckage of the old world and start over. Come to me, the dream whispers, and you can have one more chance.
I want to think I deserve what I get. I don't want to consider how vastly I am overly rewarded. I don't want to consider the injustices around me. I don't want any encounters with the disenfranchised. I want to say it's not my fault. But it is, it's yours and mine, and ours. We'd better figure out ways to spread some equity around if we want to go on living in a society that is at least semi-functional. It's a fundamental responsibility, to ourselves.
In learning to pay respectful attention to one another and plants and animals, we relearn the acts of empathy, and thus humility and compassion - ways of proceeding that grow more and more necessary as the world crowds in.
It is our duty to preserve huge tracts of land in something resembling its native condition. The biological interactions necessary to insure the continuities of life are astonishingly complex, and cannot take place in islands of semiwilderness like the national parks.
Our old pilgrims believed stories in which the West was a promise, a place where decent people could escape the wreckage of failed lives and start over. Come along, the dream whispers, and you can have another chance. We still listen to promises in the wind. This time, we think, we’ll get it right.
Don't worry about meaning. If a story's any good, it can't help but have meaning. Let the PhDs tell you what your story means.
The ecology of the valley was complex beyond our understanding, and it began to die as we went on manipulating it in ever more frantic ways. As it went dead and empty of the old life it became a place where no one wanted to live. In our right minds we want to seek out places that reek of complexity. Our drive to industrialize soured and undercut the intimacies that drew most people to country life in the first place.
One of finest evocations of life in Western America in recent memory. . . Powerful and profoundly moving.
A man. . . needs to get out in the open air and sweat and blow off the stink.
We continually use stories to hold up as mirrors to ourselves.
Places come to exist in our imaginations because of stories, and so do we. When we reach for a "sense of place," we posit an intimate relationship to a set of stories connected to a particular location, such as Hong Kong or the Grand Canyon or the bed where we were born, thinking of histories and the evolution of personalities in a local context. Having "a sense of self" means possessing a set of stories about who we are and with whom and why.
They knew bullshit, and they knew about the ruling class; dying for a ruling class cause was almost always bullshit.