The nice thing about the Bible is it doesn't give you too many facts. Two an a half lines and it tells you the whole story and that leaves you a great deal of freedom to elaborate on how it might have happened.
Art is a guarantee of sanity.
A work of art doesn't have to be explained.
My art is a form of restoration in terms of my feelings to myself and to others.
If you flatter me, or if you look at me the right way, I will kill myself to please you. It's very painful to be an overachiever.
My mother was a restorer, she repaired broken things. I don't do that. I destroy things. I cannot go the straight line. I must destroy, rebuild, destroy again. My rhythm is not the same. My mother moved in a straight line: I go from one extreme to the other.
You must put the essence of what you want to say into a painting. The rest is arbitrary. Chosen with discernment, but chosen, and choice involves elimination.
In the Shadow of Slavery covers two and a half centuries of black life in New York City, and skillfully interweaves the categories of race and class as they affected the formation of African American identity. Leslie Harris has made a major contribution to our understanding of the black experience.
We are all alike, on the inside.
Astrology is a disease, not a science. . . It is a tree under the shadow of which all sorts of superstitions thrive. . . . Only fools and charlatans lend value to it.
In doing one's work primarily for God, the fear of undue restriction is put, sooner or later, out of the question. He pays me and He pays me well. He pays me and He will not fail to pay me. He pays me not merely for the rule of thumb task, which is all that men recognize, but to everything else I bring to my job in the way of industry, good intentions and cheerfulness. If the Lord loveth a cheerful giver, as St. Paul says, we may depend upon it that He loveth a cheerful worker; and where we can cleave the way to His love there we find His endless generosity.