I'm a plotter. A thinker, a note-maker, a mapper and a flow-charter. I'm up for using any device that will teach me more about the people I'm writing about and their story.
I do believe God inspired and worked on everyone's heart.
Back in the early days like for the Temptations, Supremes and Four Tops, artist development was alive in record companies. Every artist had a moment to develop the record visually. When the web took over and camera phones, it stripped the artists of the power to figure it out. So there's a need to bridge that gap and that's my job.
I personally love to run outdoor fitness trails. I love the meditative value I get when out alone, challenging myself to run faster and higher.
The only thing that I have is the truth, so the only thing I fear is a lie.
A choreographer deals with the movement that you create, and with a creative director it's about the story, the stage, the lighting, the costuming, executing someone's idea, choosing how far to go or how little to go, and blending it so that you feel it, you're emotionally effected.
I'm born originally in Toronto, and I have what I call my 'Fame' story. I took a Greyhound bus and went to Alvin Ailey and received Dunham, Horton, Graham technique there, but I could never take my eyes off of Balanchine doing 'Nutcracker'; to me he's the best who ever did it.
Power remains strong when it remains in the dark; exposed to the sunlight it begins to evaporate.
England in a way is lucky. It's an island, so the frontiers are given by the sea.
I thought if I could face the worst danger voluntarily, and triumph, I would forever have power over it.
The great object was to get rid of Christianity, and to convert our churches into halls of science. The plan was not to make open attacks on religion, although we might the clergy and bring them into contempt where we could: but to establish a system of state - we said national - schools, from which all religion was to be excluded.