My earliest memory is of feeling different. My parents told me that I wasn't like other children.
Black-and-white photos tell the truth. That's why insurance companies use them.
The only objective truth that photographs offer is the assertion that somebody or something. . . was somewhere and took a picture.
Documentary photography has amassed mountains of evidence. And yet. . . the genre has simultaneously contributed much to spectacle, to retinal excitation, to voyeurism, to terror, envy and nostalgia, and only a little to the critical understanding of the social world.
Documentary is thought to be art when it transcends its reference to the world, when the work can be regarded, first and foremost, as an act of self-expression on the part of the artist.
The photograph is an incomplete utterance, a message that depends on some external matrix of conditions and presuppositions for its readability.
How does photography serve to legitimate and normalize existing power relationships?. . . How is historical and social memory preserved, transformed, restricted and obliterated by photographs?
People often ask if I have a favorite song that I've written. And the answer is yes, but it depends on the day and what mood I'm in.
There is such a thing as being too late. This is no time for apathy or complacency. This is a time for vigorous and positive action.
I love telling press the designers I'm wearing, especially if they are emerging. That's exciting to me, supporting talented newcomers.
Come make me sticky. Dimitri to Honor