The audience should go out and see Shark Night 3D because you can bring your whole family.
It is only dislocated minds whose movements are spasmodic.
A first book has some of the sweetness of a first love.
The drama is the book of the people.
Winckelmann wished to live with a work of art as a friend. The saying is true of pen and pencil. Fresh lustre shoots from Lycidas in a twentieth perusal. The portraits of Clarendon are mellowed by every year of reflection.
Art, not less eloquently than literature, teaches her children to venerate the single eye. Remember Matsys. His representations of miser-life are breathing. A forfeited bond twinkles in the hard smile. But follow him to an altar-piece. His Apostle has caught a stray tint from his usurer. Features of exquisite beauty are seen and loved; but the old nature of avarice frets under the glow of devotion. Pathos staggers on the edge of farce.
One interesting feature of criticism is seen in the ease with which it discovers what Addison called the specific quality of an author. In Livy, it will be the manner of telling the story; in Sallust, personal identification with the character; in Tacitus, the analysis of the deed into its motive. If the same test be applied to painters, it will find the prominent faculty of Correggio to be manifested in harmony of effect; of Poussin, in the sentiment of his landscapes; and of Raffaelle, in the general comprehension of his subject.
Terry Farish seems to breathe the reader into the emotional spaces of war, exile, and refugee life. The Good Braider is a delicate stunning exploration of its young protagonist's life and heart.
Let go of what you think life should be so you can experience the life you have.
I was brought up to understand that we are all here on planet earth together.
Well, some people die and then they sell more records, go figure.