Like the trains, she's never on time and always departing.
I was always really drawn to that fantasy world, more than a sci-fi world, in terms of outer space stuff. I think it's so cool.
The biggest challenge is the chaos of parenthood, which has honestly been such a welcome challenge - bring it on, I say!
I think when you're a mom and an actor, it forces you to leave any actor neuroses behind and just concentrate on the work.
I think professionally I admire people and the way they've handled their careers and being in the media. But the people that I used to inspire me and keep me going were my peers in Toronto - I would see the same girls going to audition after audition, and their resilience to do it again, and I found that inspiring.
You better get as much work as you can now because, once you get over 40, it’s over.
I had a book that was given to me as a kid that was called 'Faeries. ' It was this dark, sinister book with pictures that used to scare me because they were these creepy little creatures. But, I was always really drawn to that fantasy world, more than a sci-fi world, in terms of outer space stuff.
the difficult art I was attempting had, indeed a powerful fascination, before which the past faded, the future receded, and the whole of experience narrowed down to this stretch of glancing, glimmering water, and the fly I was trying to cast across it.
The thing you fail to grasp is that people are not basically good. We are basically selfish. We shove and clamour and cry for adoration, and beat down everyone else to get it. Life is a competition of prattling peacocks enraptured in inane mating rituals. But for all our effacing and self-importance, we are all slaves to what we fear most. You have so very much to learn. Here. Let me teach you.
Great writers arrive among us like new diseases - threatening, powerful, impatient for patients to pick up their virus, irresistible.
In every debate, whatever the format, whatever the questions, there is one and only one way to identify the winner: Who commands the room? Who drives the narrative? Who is in charge?