Any time some politician tells you it's not about the money, it's about the money.
My father had a varied ear, from Hank Williams to Ravel.
No matter where we come from or where we're going, we've all got memories to contend with, and it's always best not to do this alone!
I think I was probably an early teenager when I discovered Bessie Smith, Ma Rainey and a bunch of people that are on a long list of artists. They were important to me, especially as an early adolescent.
My parents were older than normal when they had me, and had been very into the politics of the 1960s, so I was brought up in that atmosphere.
It's great to have other people's help. Then the music gets heard. There's a lot more commercial support for that now.
Second records aren't usually very good. Even Bob Dylan's was a bit disappointing.
Differences of power are always manifested in asymmetrical access.
I get off on the interaction with people, and I love the chess of a movie and particularly - not only in preproduction or in production or postproduction - the behavioral chess. That is, learning and being humbled by and also teaching certain people certain things. I love that. As a producer, you have an opportunity to see the whole and bring people together.
It was actually fun to write [memoir], because I went back to interview people my parents had taught or who had worked with them, and I learned a lot about them that I hadn't known.
We have a deal. And so there's movement towards a peace agreement, you know, a peace accord, a cease-fire, which is great. That's fabulous. It's unfortunate that we're also bombing Syria together [with Russians], and in my view we need - what we need to do together is create a weapons embargo together and get all the parties with the program here, and also collaborate on a freeze on the bank accounts of those countries that continue to fund terrorist enterprises, the No. 1 source of that being the Saudis.