The very remembrance of my former misfortune proves a new one to me.
It's hard - it's difficult to tell when your buzz is at its peak.
I read every fan forum and every blog, and every message board, and every chat room. I read it all. There's nothing online that I'm not aware of.
If I were to go the major route, again, attention would probably be the first and foremost. You want attention, you want support, you want to be treated properly, and I don't wanna have to go anywhere and teach people how to treat me. As far as money, acclaim and fame, those things are a plus - accolades - they're all great.
For Joe Budden fans, and for Joe Budden, I like to focus on the creative side, and havin' a thought and bein' able to execute it in the booth. I think that song best displays me being able to do that.
I'm proud to say I'm the only Slaughterhouse member who has not rewritten a verse yet, and that's the ongoing joke in the group, 'cause everybody has rewrote their sh*t except for me.
Mixtapes are extremely important, especially for New York or North East artists. They allow you to be creative, to get feedback and criticism, but most of all, it gets your name out there. I would say about 90-100% of my success was down to the mixtapes.
She liked Victorian novels. They were the only kind of novel you could read while eating an apple.
Loved once for ever loved: how surely sounds This gospel to me since I learned to list Truth from thy lips, mine own evangelist. What thought presumes to set now any bounds To Love whose being informs us and surrounds?
I'm constantly being visually stimulated.
If you dissect a bird to diagram the tongue, you'll cut the chord articulating song.