There is moderation even in excess.
It's hard to write a good play because it's hard to structure a plot. If you can think of it off the top of your head, so can the audience.
Every scene should be able to answer three questions: "Who wants what from whom? What happens if they don't get it? Why now?
When the three branches of government have failed to represent the citizenry and the mass of the media has failed to represent the citizenry, then the citizenry better represent the citizenry.
One person may need (or want) more leisure, another more work; one more adventure, another more security, and so on. It is this diversity that makes a country, indeed a state, a city, a church, or a family, healthy. 'One-size-fits-all,' and that size determined by the State has a name, and that name is 'slavery. '
Forget narrative, backstory, characterisation, exposition, all of that. Just make the audience want to know what happens next.
The main question in drama, the way I was taught, is always, 'What does the protagonist want?' That's what drama is. It comes down to that. It's not about theme, it's not about ideas, it's not about setting, but what the protagonist wants.
The more minimal the art, the more maximum the explanation.
No labourer in the world is expected to work for room, board, and love -except the housewife.
I may have exaggerated a bit when I said that 80 per cent of the top 100 women are fat pigs. What I meant to say was 75 per cent of the top 100 women are fat pigs
Each time you fall He'll pick you up. He knows your own efforts are never going to bring you anywhere near perfection