welcome to the FAYZ. Wherever, whenever or whyever that is
I'd go to hell to hear a good band.
One thing I like about jazz, kid, is that I don't know what's going to happen next. Do you?
The humor of jazz is rich and many-sided. Some of it is obvious enough to make a dog laugh. Some is subtle, wry-mouthed, or back-handed. It is by turns bitter, agonized, and grotesque. Even in the hands of white composers it involuntarily reflects the half-forgotten suffering of the negro. Jazz has both white and black elements, and each in some respects has influenced the other. It's recent phase seems to throw the light of the white race's sophistication upon the anguish of the black.
Jazz is musical humor. The noun jazz describes a modern American technique for the playing of any music, accompanied by noise called harmony, and interpolated instrumental effects. It also describes music exhibiting influence of that technique which has as its traditional object to secure the effects of surprise, or in the broadest sense, humor.
The jazz band's chief stimulus, of course, was the rise of the negro 'blues' and their exploitation by the negro song-writer, W. C. Handy.
I think there's tons of life and excitement in Paris. There are lots of old people and young people creating sexy new culture, but they're having to do it in the middle of a theme park. Paris is so dedicated to preserving its sense of itself, "we were great once upon a time," that it's hard for people who are making work right now to have to struggle in this sort of museum.
People behave badly and people are in prison and people are on death row, and there are no excuses for everybody's behavior, but most people are coming from abuse.
As much as I love Slipknot, I don't want that to carry over into what I do for Stone Sour. I want both bands to stand on their own.
The American spirit is stronger than stone and mortar, tougher than steel and glass, and more enduring than any pain or suffering that can be inflicted on our national conscience.