Scale is extremely important. Scale is not dimensions. Dimensions are physical and scales are mental.
It doesn't help for you to name a character's first name be Mindy and then be like, "I'm nothing like the character. "
There are little Indian girls out there who look up to me, and I never want to belittle the honor of being an inspiration to them. But while I’m talking about why I’m so different, white male show runners get to talk about their art. I always get asked, ‘Where do you get your confidence?’ I think people are well meaning, but it’s pretty insulting. Because what it means to me is, ‘You, Mindy Kaling, have all the trappings of a very marginalized person. You’re not skinny, you’re not white, you’re a woman. Why on earth would you feel like you’re worth anything?’
I have a lovehate relationship with my body, Some days I'm happy with it and other days I wasn't born with Gisele Bundchen's body unfortunately, so you got to work for it - but it's okay. ” Madonna “Do I sometimes look at Gisele Bündchen and wonder how awesome life would be if I never had to wear Spanx? Duh, of course. That's kind of the point of Gisele Bündchen.
There's obviously instances where I perceive sexism in my job. . . . I think that the sort of sexism that I see has been one that's a little bit like a gentler form of sexism, but still a little bit debilitating, which is that when, as a producer and a writer, whether it was at The Office or [at The Mindy Project], if I make a decision, it'll still seem like it's up for debate.
I've always had that chip on my shoulder. I've just always been super hard on myself.
There is some pressure when you are a woman doing what I do that you must support all other women unconditionally, no matter what they're projecting, or writing, or producing, or putting forth as their art. I think that's equally arbitrary and random and unfair, and kind of sexist. The secretly sexist way. I have really high standards for what I think is funny. I have that for everything, and I think it would be disingenuous of me to blanket-ly love everything a woman has produced simply to make a statement that we're all in this together.
Fate, I think, is a thief.
I supported the Iraq resolution, but that was not an approval of war in Iraq and certainly was not approval for an occupation of Iraq.
We live in a predatory capitalist society in which everything is for sale. Everybody is for sale, so there is ubiquitous commodification - be it of music, food, people, or parking meters.
Later, when I was at Caesar's Palace, and [Joe and Gil Cates] were trying to get me to have opening acts for the show, they gave me a list of people, and Rosie O'Donnell was one of them. I said, "I don't really need any opening acts. I have funny stuff in the show, and I do a lot of comedy and stuff. "