Speech as known to us was unnecessary. A fragment of a sentence amounted almost to a long-winded redundancy. A gesture, a grunt, the curve of a facial line--even a significantly timed pause yielded informational juice.
There are two kinds of paradoxes. They are not so much the good and the bad, nor even the true and the false. Rather they are the fruitful and the barren; the paradoxes which produce life and the paradoxes that merely announce death. Nearly all modern paradoxes merely announce death.