The object of mathematical rigor is to sanction and legitimize the conquests of intuition, and there was never any other object for it.
You know it's hard to hear what a bearded man is saying. He can't speak above a whisker.
We are a breed apart from the rest of humanity, we theatre folk. We are the original displaced personalities, concentrated gatherings of neurotics, egomaniacs, emotional misfits and precocious children.
There are millions to be grabbed out here and your only competition is idiots. Don't let thisget around.
Fasten your seat belts, it's going to be a bumpy night!
In a novel, the hero can lay ten girls and marry a virgin for the finish. In a movie, that is not allowed. The villain can lay anybody he wants, have as much fun and as he wants cheating, stealing, getting rich, and whipping servants. But you have to shoot him in the end.
Imagine--the whole world wired to Harry Cohn's ass!
Mistruths are printed as fact, in some cases, and frequently only half of a story will be told.
. . . discussing cultural relativism with cultural relativists is like playing tennis with some guy who says, "Your ace is just a social construct.
The body, what is it, Father, but a sign To love the force that grows us, to give back What in Thy palm is senselessness and mud?
Plays are just all sort of playful asides, and there's a great deal of reference here to Greek mythology, plays, and dramas. The idea of the chorus is really important in Greek drama and I loved the idea of including that.