[While designing] I'm mixing two lines of thought really: me as a designer for women and then me as a man. At the start of the design process it's the designer for women that comes to the forefront - sketching and revising the silhouette. Then the man comes into the picture - and I look at the shoe from a very masculine point of view. Then there is a conflict between the two sides of me. Sometimes the man wins, and sometimes the designer wins.
I didn't know how I was going to get to the Olympics, and in the beginning, I didn't really care. And that was the best part, because my desire exposed me to so many different sports, and in all of them, I always dedicated my best effort because I knew that's what it was going to take to become an Olympian.