The thing that I like about public-access is that I am often in the middle of chaos
I don't like workouts that make you bulky.
Am I bossy? Absolutely. I don't like to lose, and if I'm told 'no', then I find another way to get my 'yes. '
I love England, especially the food. There's nothing I like more than a lovely bowl of pasta.
If you have to talk to more than three people about the same problem, you don't want help, you want attention.
I don't think I was born beautiful. I just think I was born me.
It's a new challenge to see how people can change your look. I like words like transformation, reinvention, and chameleon. Because one word I don't like is predictable.
When I work fourteen hours a day, seven days a week, I get lucky.
There's not a second of my time on tour where I'm not engaged with something. It is the hardest job - a great job, and I love it - but truly the hardest job I've ever had. There's no time away, there's no time off, and it's so exhausting. I drive myself around in a van, and I don't have the money or infrastructure to do it differently, and I'm involved at every level. I feel like I'm just collecting info, and can't wait to get home to try and process these.
My first memory as a child growing up is of playing in the gardens, the mosque is really a gigantic garden, probably the biggest in all of East Jerusalem. Our house was about 100 meters from the mosque.
The short story is at an advantage over the novel, and can claim its nearer kinship to poetry, because it must be more concentrated, can be more visionary, and is not weighed down (as the novel is bound to be) by facts, explanation, or analysis. I do not mean to say that the short story is by any means exempt from the laws of narrative: it must observe them, but on its own terms.