Experiment is fundamentally only induced observation.
I have loads of stuff that never came out because I really don't think it's good enough.
I was really into hip-hop as a teenager. I dressed up like Tupac with baggy jeans and a dodgy bandanna around my head. I was pretty confused at that time.
It's nice to just do my hobby and be able to live.
There's just so much stuff that sounds like Flying Lotus now - I really like what he does, but I don't want to be like him. The new stuff is more experimental.
I want to move away from sampling records and just have it be quite minimal. I don't want any more hip-hop beats in there.
I'm a long way off finishing the LP, but I've got an idea in my head of exactly how I want it to look and sound.
I at least felt the obligation to speak clearly [in 'The last Tycoon']. This is pre-Brando and pre-James Dean. Nobody mumbled back then.
At the time, acid made me consider questions of reality, the difference, as someone said, between words and silence. It also brought back a lot of latent religious feelings in me that I had turned my back on.
The dog is dressed just like me at the climax of my act.
It was always the view of my parents. . . that hot weather encouraged loose morals among young people.