They too wonder about the nature of existence, where they've come from and where they're going to and how much time they have.
Looking and seeing are two different things. What matters is the relationship with the subject.
The road from the eye to the heart is easy to follow. I am taking it with my eyes closed.
With every glance I take in the 'negative-positive' of existence and the inevitability of impermanence to its glowing limits. Alone and haunted, I trust my inner eye, the heart. Everything, absolutely everything, becomes visible. Appearances, disappearances, nothing seems of secondary importance to me.
The distance between yourself and others should not be greater than your arm’s length.
When I use the camera, I often feel likeI know part of the people or places I come in contact with.
Whether it is photography, assemblage art or filmmaking, my work is to see beneath the surface.
It can be tricky with branding these days, because everything is kind of branded.
God's big plan: go love everybody, always!
If you give the actors a problem 'I'm not getting something out of the scene' and it's the writing, we just don't have the scene, if you give them the problem and just give them some key thoughts they can bring some great solutions to the equation too. So if it's just not perfect, or I'm not getting all I can, I'll open it up to them and say let's talk about it.
The difference between talent and genius is in the direction of the current: in genius, it is from within outward; in talent from without inward.