The tongue should not be suffered to outrun the mind.
The Lord works through deeply flawed people, since He made so few of the other kind.
Unjust social orders do not fall merely by appeals to the consciences of the oppressor, though such appeals may be an important element; history teaches us that they fall because a large enough number of people organize a movement powerful enough to push them down. Rarely do such revolutions emerge in a neat and morally pristine process.
We cherish the conventional story of Dr. King and nonviolence, in fact, precisely because that narrative demands so little of us…This conventional narrative is soothing, moving, and politically acceptable, and has only the disadvantage of bearing no resemblance to what actually happened.
It appeared clear to me - partly because of the lies that filled my history textbooks - that the intent of formal education was to inculcate obedience to a social order that did not deserve my loyalty. Defiance seemed the only dignified response to the adult world.
In the years since his murder, we have transformed King into a kind of innocuous black Santa Claus.
We are runaway slaves from our own past, and only by turning to face the hounds can we find our freedom beyond them.
If I am a legend, then why am I so lonely?
Nature in causing reason and the passions to be born at one and the same time apparently wished by the latter gift to distract man from the evil she had done him by the former, and by only permitting him to live for a few years after the loss of his passions seems to show her pity by early deliverance from a life that reduces him to reason as his sole resource.
Dwell not on the faults and shortcomings of others; instead, seek clarity about your own.
Until we can insert a USB into our ear and download our thoughts, drawing remains the best way of getting visual information on to the page. I draw as a collagist, juxtaposing images and styles of mark-making from many sources. The world I draw is the interior landscape of my personal obsessions and of cultures I have absorbed and adapted, from Latvian folk art to Japanese screens. I lasso thoughts with a pen. I draw a stave church or someone from Hello! Magazine not because I want to replicate how they look, but because of the meaning they bring to the work.