The way you think either expresses or undermines faith.
I would love to meet some directors, and why not do some other movies in America? But, I'm not obsessed with this idea. I'm feeling very free in Europe.
When I was in my 20s, I thought that being known for 'Swimming Pool' was kind of a burden. Like, OK, everyone thinks I am this tanned bimbo and I was having problems coping with that image.
When you get quick fame and success and exposure, it makes you feel dizzy, and I didn't want to lose my balance 'cause that's something I've been struggling with for so many years. I'm not fond of the idea of making it in Hollywood. That's not my aim; otherwise, I would have settled down in Los Angeles.
I don't act to be popular, or see my face on the cover of magazines every time I go out to get coffee. I don't want to think about me all the time, and what I look like.
As an actress, I think I really understand that stage where you think you are picking reality in order to feed the fiction, but it happens to be the contrary. It's the fiction that suddenly feeds your reality. And you don't know how it has been done. That's the kind of magical transposition that is art.
As an actress, I'm supposed to create something from head to toes, with clues, with lines, with shapes, and even with that power, I felt lost and not in control.
Trust not to outward show. [Lat. , Fronti nulla fides. ]
The primary rocks,. . . I regard as the deposits of a period in which the earth's crust had sufficiently cooled down to permit the existence of a sea, with the necessary denuding agencies,-waves and currents,-and, in consequence, of deposition also; but in which the internal heat acted so near the surface, that whatever was deposited came, matter of course, to be metamorphosed into semi-plutonic forms, that retained only the stratification.
When a horse learns to buy martinis, I'll learn to like horses.
I like John Carpenter. I like some of his films more than others