I'm very happy and very excited when my adrenalin is going.
We make such terrible mistakes with visual choices about beauty.
The hardest thing to do is something that is close to nothing.
I hate repetition. Even when I am home and have to buy milk, I go a different way each time to avoid having a habit of anything. Habits are really bad. So to me it is really important to live in what I call the spaces in-between. Bus stations, trains, taxis or waiting rooms in airports are the best places because you are open to destiny, you are open to everything and anything can happen.
I believe stories are very important to all performances. The life story of the performer shapes their work, and the life stories of the audience alter how they receive the work, what they read into the performer.
I've always asked myself since I was young, what is my duty on this planet? What am I there for? Just to hang around? Everybody must have some purpose.
If you're a baker, making bread, you're a baker. If you make the best bread in the world, you're not an artist, but if you bake the bread in the gallery, you're an artist. So the context makes the difference.
Decision equals destiny.
Too much preaching nowadays pats the back and tickles the ear, but does not get under the skin. There is no conviction and therefore no conversion. I am thinking not only of the ministry of reproof and rebuke but also of the message of inspiration, of encouragement, of comfort. People go out of church at noon with the depths unstirred, the heart untouched, the conscience unpricked.
It's very easy to be different, but very difficult to be better.
My son, who sees me almost every day of his life, will look at me and go, "I know that dude! I like that dude!" It's incredibly affirming.