I'm not sitting on a soapbox telling women what they should and shouldn't do, but I know what works for me.
Making dances is an act of progress; it is an act of growth, an act of music, an act of teaching, an act of celebration, an act of joy.
To be who you are and become what you are capable of is the only goal worth living.
Dance is for everybody. I believe that the dance came from the people and that it should always be delivered back to the people.
One of the processes of your life is to constantly break down that inferiority, to constantly reaffirm that I Am Somebody.
The creative process is not controlled by a switch you can simply turn on or off; it's with you all the time.
My dancers must be able to do anything, and I don't care if they are black or white or purple or green. I want to help show my people how beautiful they are. I want to hold up the mirror to my audience that says this is the way people can be, this is how open people can be.
But, perhaps, the flatterer is not often detected; for an honest mind is not apt to suspect, and no one exerts the power of discernment with much vigour when selflove favors the deceit.
I want to be optimistic because I don't think man is intrinsically violent.
God's providence is on the side of clear heads.
My parents never pushed me to be an actress. You can come from a family of actors, and sometimes there have been families that grow you up as an actor, but this wasn't my situation. It's very important to find your own way because it's something you then have to confront yourself.