Put on your adidas and step off.
For me, the subject is of secondary importance: I want to convey what is alive between me and the subject.
My work is always better when I am alone and follow my own impressions.
I know that to paint the sea really well, you need to look at it every hour of every day in the same place so that you can understand its way in that particular spot; and that is why I am working on the same motifs over and over again, four or six times even.
I had so much fire in me and so many plans.
Lots of people will protest that it's quite unreal and that I'm out of my mind, but that's just too bad
These landscapes of water and reflection have become an obsession.
Fidel Castro was a revolutionary spirit from the practical spiritual side of it, but not with "religiosity"; not with prayer and fasting and charity in that sense, but he gave it all, to make humanity better.
I like to think of myself as very loyal, and I love everyone I surround myself with, whether they're friends or girlfriends or whatever.
Where the waters do agree, it is quite wonderful the relief they give.
I always live in the present. I don’t know the future and no longer have the past. The former oppresses me as the possibility of everything, the latter as the reality of nothing.