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To perceive the internal frame of reference of another with accuracy and with the emotional components and meanings which pertain thereto as if one were the person, but without ever losing the "as if" condition. Thus, it means to sense the hurt or the pleasure of another as he senses it and to perceive the causes thereof as he perceives them, but without ever losing the recognition that it is as if I were hurt or pleased and so forth.

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Donald Judd

And then we moved to New Jersey and I went to the Art Students League.

Art, Jersey, League, Students
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Actual space is intrinsically more powerful and specific than paint on a flat surface.

Art, Intrinsically, Paint, Powerful, Space

It isn't necessary for a work to have a lot of things to look at, to compare, to analyze one by one, to contemplate. The thing as a whole, its quality whole, is what is interesting. The main things are alone and are more intense, clear and powerful.

Interesting, Necessary, Powerful, Quality

Design has to work. Art does not.

Art, Design, Doe, Work

Art and architecture - all the arts - do not have to exist in isolation.

Architecture, Art, Exist, Isolation

The art and architecture of the past that we know is that which remains. The best is that which remains where it was painted, placed or built. Most of the art of the past that could be moved was taken by conquerors. Almost all recent art is conquered as soon as it's made, since it's first shown for sale and once sold is exhibited as foreign in the alien museums. The public has no idea of art other than that it is something portable that can be bought. There is no constructive effort; there is no cooperative effort. This situation is primitive in relation to a few earlier and better times.

Architecture, Art, Constructive, Exhibited, Past, Taken
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