I like animals because they are not consciously cruel and don't betray each other.
I never feel that my music is sparse or minimalist; the way fat people never really think they're fat. I certainly don't consider myself minimalist at all
Any professional knows that the flute and the piano is a boring combination. All you've got to arrive at is a kind of typical gestural crap, right? You might agree, though you wouldn't call it gestural crap
We do not hear what we hear. . . , only what we remember.
To me, I took a militant attitude towards sounds. I wanted sounds to be a metaphor, that they could be as free as a human being might be free. That was my idea about sound. It still is, that they should breathe. . . not to be used for the vested interest of an idea. I feel that music should have no vested interests, that you shouldn't know how it's made, that you shouldn't know if there's a system, that you shouldn't know anything about it. . . except that it's some kind of life force that to some degree really changes your life. . . if you're into it.
Music can imply the infinite if enough things depart from the norm far enough. Strange "abnormal" events can lead to the feeling that anything can happen, and you have a music with no boundaries.
The tragedy of music is that it begins with perfection.
I feel strongly that we, all of us, are brothers and sisters, and nothing interferes with that except our education, our background, where we grew up and how we should do it. If you eliminated all those negatives and gave us an open view of what life would be like, it would be different.
The spiritual sense of our place in nature. . . can be traced to the origins of human civilization. . . The last vestige of organized goddess worship was eliminated by Christianity.
You’d have to go through at least four different hugs to get from the kitchen to the front room. Those relatives!’.
The moral world is as little exempt as the physical world from the law of ceaseless change, of perpetual flux.