If you go into what I call a bubble boom, every bubble bursts.
The mystery of light [and] the enigma of time form the twin pivots around which all my work revolves. In addition. . . my work attempts to create a mythology for our contemporary world.
Photography is one of the most authentic and integral modes of expression possible in this world in which we live.
It therefore should be possible for even the photographer - just as for the creative poet or painter - to use the object as a stepping stone to a realm of meaning completely beyond itself.
I have approached the buildings as psychological and poetic manifestations - rather than from the more technical viewpoints of the architect and historian (which mostly miss the living spirit behind the forms).
Everything that I see must become personal; otherwise, it is dead and mechanical. Our only chance to escape the blight of mechanization, of acting and thinking alike, of the huge machine which society is becoming, is to restore life to all things through the saving and beneficent power of the human imagination.
One of my basic feelings is that the mind, and the heart alike, of the photographer must be dedicated to the glory, the magic, and the mystery of light. The mystery of time, the magic of light, the enigma of reality - and their interrelationships - are my constant themes and preoccupations.
My own personal task is not simply that of poet and writer (still less commentator, pseudo-prophet); it is basically to praise God out of an inner center of silence, gratitude, and 'awareness. ' This can be realized in a life that apparently accomplishes nothing. Without centering on accomplishment or nonaccomplishment, my task is simply the breathing of this gratitude from day to day, in simplicity, and for the rest turning my hand to whatever comes, work being part of praise, whether splitting logs or writing poems, or best of all simple notes.
Influences come from everywhere. I don't really feel like I had too many influences for the first record because I grew up listening to music in church, and that was pretty much it. I didn't really grow up listening to ACDC and all those bands.
I always looked at magazines. Ever since I was little I was obsessed with Elle magazine and the models. I would watch the model TV shows, like the specials on Milla Jovovich.
WhenIWasYourAge: People were never "living with their disease. " We cured them. Or they died from it.