Isak Dinesen

Here and there, in some older houses, old faded daguerreotypes still hang on the walls. . . They seem to us to be very simple. . . compared with the artistic and skillful portraits made in later days. . . Here was a photograph that at one time had been the last word, a very modern portrait. . . Today it is just a part of cultural history. The small yellowed surface has acquired depth, an admonishing perspective. We hold in our hand a symbol of the structure and ideology of an epoch.