It's never too late-in fiction or in life-to revise.
People do not read, by and large. They watch television.
Oh, a bookshop. Why not pop in and buy a little Kant? And perhaps just a quarter-pound of Kafka. Don't bother to wrap it, thanks. I'll eat it here.
The best defense is a good story.
What to know about pain is how little we do to deserve it, how simple it is to give, how hard to lose.
If you can propose a memoir, even if you are eighteen years old - and what do you remember? What are you memeing? If you can propose a memoir, I believe someone will pay you to write it. And you will get a contract for nonfiction. And if it is about victimology in one way or another than you'll get more money. It's a sensation.
Good art is a form of prayer. It's a way to say what is not sayable.
If a subject has a delicate surface to it, you do not want to go charging in there. You need to establish some kind of presence and understanding. I will say, Try to forget I'm here. I won't ask you to pose, I won't ask you to do anything. It's important that I just be allowed to be around, to be present. Photographing people requires a willingness to be rejected. So, I think the best approach is to be honest and direct. Very often, I tell them, You don't know me. There's no reason why you should trust me. . . the only thing I can promise is that I'll try to do the most honest work I can.
Oh the innocent girl in her maiden teens knows perfectly well what everything means.
I'm learning how to live in the present and be grateful for what's working rather than look for the 'what's not working' piece.
In the story ["The Pyramid and the Ass"] there's this war against the so-called Buddhist Terrorists. As we find out, they're not really terrorists at all, just good folks trying to liberate people from technology and fight against an American governmentcorporation trying to coopt our souls. The inherent racism and Buddhist-phobia in the story plays into the present demonizing of Islam - and of our loss of knowledge about the great, spiritual history of the Sufis, for example, or the cultural heritage from the middle east.