To me, I took a militant attitude towards sounds. I wanted sounds to be a metaphor, that they could be as free as a human being might be free. That was my idea about sound. It still is, that they should breathe. . . not to be used for the vested interest of an idea. I feel that music should have no vested interests, that you shouldn't know how it's made, that you shouldn't know if there's a system, that you shouldn't know anything about it. . . except that it's some kind of life force that to some degree really changes your life. . . if you're into it.
When people say formula, there's almost a little bit of a negative construct to it. It's nice when people describe someone as a "hit factory," but it makes it sound like you're just making baked beans or something.