Middle-income countries are the biggest users of GMOs. Places like Brazil.
Whatever politicians, activists and manipulators propose, it is the phlegmatic, indifferent, ingrained electorate which disposes.
Are we likely to see rising sea-levels? Not in our lifetimes or hose of our grandchildren. It is not even clear that sea-levels have risen at all. As so often in this domain, there is conflicting evidence. The melting of polar or sea ice has no direct effect.
Is the warming unprecedented? Probably not. There is abundant historical and proxy evidence for both hotter and cooler periods in human history. Is it our fault? Again, maybe. The correlation of increasing warmth with increasing carbon dioxide concentrations is particularly weak; that with solar energy and with ocean movements is much stronger.
How reliable are the computer [climate] models on which possible future climates are based? Not very. All will agree that the task of modeling climate is vast, because of the estimates that have to be made and the rubbery quality of much of the data.
Why is there such insistence that AGW has occurred and needs drastic solutions? This is a puzzle, but my short answer is that the IPCC has been built on the AGW proposition and of course keeps plugging it, whatever the data say. The IPCC has considerable clout. Most people shy off inspecting the evidence because it looks like science and must therefore be hard. The media have been captured by AGW (it makes for great stories), the environmental movement and the Greens love it, and business is reluctant to get involved.
It's not about my career now. It's just about finding great work and having a good time.
I worked in information technology and academia for a long time and met many people who were better with things and ideas than with people.
The design is a really flat primary color with all sorts of abstract geometric shapes, just implying something. And then you'd have your characters running from something with guns. It was very expressionistic.
In fact, quite a lot of what I do has to do with sound texture, and, you can't notate that. You can't notate the sound of "St. Elmo's Fire. " There's no way of writing that down. That's because musical notation arose at a time when sound textures were limited. If you said violins and woodwind that defined the sound texture; if I say synthesizer and guitar it means nothing - you're talking about 28,000 variables.