Donald Trump has shown us who he is. And we ought to believe him. He is taking a hate movement mainstream.
It's quite a dangerous career move to go wilfully on making films that may not find a distributor.
Nudes are the greatest to paint. Everything you can find in a landscape or a still life or anything else is there: darkness and light, character dimension, texture. I painted heads too, of course.
Films don't take as long as people think. 'Harry Potter,' people always used to say, 'Well, my God, do you ever get any time to yourself?' I think I did, in 'Harry Potter,' over a 12 year period I did five days. So it's not exactly exhausting.
There is always a better choice that you were unable to quite touch with a single stroke. Even in acting, there comes a point, like a painting, where you have to say, "That's it. I can't go any further with it. " And sometimes, you say, "I'm really pleased that that's where it's finished up. " Other times, you think, "I don't think I really quite got there, but I haven't got time to go any further. " Rather reluctantly, you have to say "That's it. "
Very, very broadly speaking, you can put directors into two areas: One for whom you work, and the other with whom you work. And I prefer the latter, for obvious reasons. It's a great relief to feel that you're working with someone rather than for someone. You don't feel that you're being tested, as it were.
When you're really working well with a director then you can be as outrageous as you like and so can he. And there's no worry about it.
One must be deeply aware of the impermanence of the world.
It will be the people with the greatest love, not the most information, who will influence us to change.
Negative emotions like loneliness, envy, and guilt have an important role to play in a happy life; they're big, flashing signs that something needs to change.
There’s got to be something wrong with us. To do what we did.