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Heaven is the very last place to come to rest and don't you be afraid to bet on that!

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Ronald D. Moore

Romance classically has tragic underpinnings to it.

Classically, Romance, Tragic, Underpinnings
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The flower inside the fruit that is both its parent and its child. Decadent as ancestors. The portal and that which passes. Nuclear devices activated, and the machine keeps pushing time through the cogs, like paste into strings into paste again, and only the machine keeps using time to make time to make time. And when the machine stops, time was an illusion that we created free will.

Children, Flower, Parent, Activated, Stops, Strings

It's a gift. Never lend a book.

Book, Lend, Gift

There were a lot of lessons of production to be learned. On the page, the biggest thing you learn on any TV show is how to write to your cast. You write the show at the beginning with certain voices in your head and you have a way that you think the characters will be, and then you have an actor go out there, and you start watching dailies and episodes. Then, you start realizing what they can do and what they can't do, what they're good at and what they're not so good at, how they say things and what fits in their mouth, and you start tailoring the voice of the show to your cast.

Character, Characters, Lessons, Page, Thinking, Writing

When Kirk dies it was very emotional and very strange, in the moment and all the way through the process. I'd read it in the script and I'd always be struck by what I'd just done and what we were doing, and that this was my childhood hero and I was writing his death.

Hero, Writing, Emotional, Childhood, Moment

And your typical TV series, you've got your police station, your apartment, the hospital, the starship, or whatever it is, and you're constantly going back to those sets and shooting, which saves you a lot of money and time. You can do that faster because you become really familiar with it and you become really good at it.

Back, Familiar, Police, Shooting, Station, Typical
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