Winners make commitments, losers make excuses.
When I saw the pictures of New York without the World Trade Center, New York looked like a shadow of itself.
U. S. journalists I don't think are very courageous. They tend to go along with the government's policy domestically and internationally. To question is seen as being unpatriotic, or potentially subversive.
It's a journalist's job to be a witness to history. We're not there to worry about ourselves. We're there to try and get as near as we can, in an imperfect world, to the truth and get the truth out.
Whether Osama bin Laden is doing it cynically and has no interest in these matters, or whether he's doing it out of genuine conviction, his voice has a tremendous resonance throughout the Arab world. One editorial in a Lebanese paper said it is a matter of great humiliation for the Arabs that the only man who can outline, truthfully, what our humiliations are is an Arab who has to say it from a cave in a foreign country.
Why is it that we go to immense lengths getting the Serbs who were responsible for the massacre of 7,000 at Srbrenica-that's slightly more than the total figure for New York 911-and we take them to a tribunal in The Hague, and one after another, we arraign them, try them, convict them, and punish them in front of the world, but no plans have been brought forward to get Osama bin Laden and his friends and put them on trial.
When I arrived in Beirut from Europe, I felt the oppressive, damp heat, saw the unkempt palm trees and smelt the Arabic coffee, the fruit stalls and the over-spiced meat. It was the beginning of the Orient. And when I flew back to Beirut from Iran, I could pick up the British papers, ask for a gin and tonic at any bar, choose a French, Italian, or German restaurant for dinner. It was the beginning of the West. All things to all people, the Lebanese rarely questioned their own identity.
People today sometimes get uncomfortable with empirical claims that seem to clash with their political assumptions, often because they haven't given much thought to the connections.
For the night Shows stars and women in a better light.
It's amazing. It's actually build from old Siemens Telefunken transistors from the 60ties. There is like 10 in there. It's the most powerful distortion you can have. It does not only do distortion, it does so many weird things. You can't control it, it's sound different all the time. But it's an endless source for fantastic sounds. For example the track "Transit" is entirely made with this box. You have to put the guitar sound in. It's like a pedal.
Love wasn't a thing you fell in, but rose to. It was what stopped you from falling.