People assume that all artists make for terrible business people, but I'm in complete charge of my own career.
Show business is and has always been a depraved carnival.
Every scene should be able to answer three questions: "Who wants what from whom? What happens if they don't get it? Why now?
When the three branches of government have failed to represent the citizenry and the mass of the media has failed to represent the citizenry, then the citizenry better represent the citizenry.
One person may need (or want) more leisure, another more work; one more adventure, another more security, and so on. It is this diversity that makes a country, indeed a state, a city, a church, or a family, healthy. 'One-size-fits-all,' and that size determined by the State has a name, and that name is 'slavery. '
Forget narrative, backstory, characterisation, exposition, all of that. Just make the audience want to know what happens next.
The main question in drama, the way I was taught, is always, 'What does the protagonist want?' That's what drama is. It comes down to that. It's not about theme, it's not about ideas, it's not about setting, but what the protagonist wants.
The music is the shining path over which the poet travels to bring his song to the world.
I think that in the first place, why we can get excited about [Buckminster ] Fuller, why it's plausible that people might - why my publisher would publish this book [You belong to the universe] about it long after he's dead and irrelevant by many standards has to do with the fact that he was in a sense coming up with this job for himself that is the job that we now refer to when we speak about world change.
The new racism is anything that might hurt a Democrat politically.
It's nice that psychedelic music is kind of a buzzword. When I started with Vincent Black Shadow, stoner-rock was getting big, but it was more of a riff-oriented thing. Now people are starting to get into the 60's-Pink Floyd-acid-pop viewpoint.