Because there is nothing here than invites us to cherish unhappy lovers. Nothing is more vain than to die for love. What we ought to do is live.
Some things a lady doesn't tell.
I see my work as visual meditations on the human experience and my attempts to capture the thin, otherwordly realm I believe exists between what we see and what we cannot.
I think it's because it was an emotional story, and emotions come through much stronger in black and white. Colour is distracting in a way, it pleases the eye but it doesn't necessarily reach the heart.
My agent sent me the script and I loved it. I wondered how they would turn me into a chimp. My agent said it would probably not entail to much time. Just some hair and make-up. I found out that it was not so simple.
It's hard to compare actors from different generations.
The terrible thing about being blacklisted as an actress was that even though, intellectually, you knew what was happening, you still always wondered whether you weren't being hired because you weren't any good.
You have to look at history as an evolution of society.
There's room enough for everyone to thrive.
If you have any interests you can gain a wider audience for those interests while the goldfish bowl is yours!
In other words, the unique value of the "authentic" work of art has its basis in ritual, the location of its original use value. This ritualistic basis, however remote, is still recognizable as secularized ritual even in the most profane forms of the cult of beauty.