The problem with the cable networks is the lack of money, not from personal income but as far as show budget.
The space between things is important to me. The projections, that darkness between the words or the images is very important.
I try not to manipulate reality. . . What will happen, will happen. Let things be themselves.
I liked the idea of the words floating in space and the space behind it moving all the time, ever changing.
I know where the mistakes are. Nothing is perfect and I understand that.
The words represent ideas first of all. That is something you have to understand. I mean, it is not just an object, but it is an object with a history and it is loaded with all kinds of implications and ideas. They exist in the world in a very special way. So they kind of represent some aspect of the world that we perceive, as do photographs, as do drawings of trees or whatever. And they are not a one to one. They are not the world, but they kind of refer to the world and they also exist in the world.
I like the work hanging free in the frame. I don't like too much frame around it but I like a little breathing space around the piece.
I write to find out what I think.
Man's brain may be compared to an electric battery. . . a group of electric batteries will provide more energy than a single battery.
I'm not really interested in participating in mainstream culture. Participating in the mainstream music business is, to me, like getting involved in a racket. There's no way you can get involved in a racket and not someway be filthied by it.
It is only through imagination that men become aware of what the world might be; without it, ‘progress’ would become mechanical and trivial.