Occupy Wall Street is a real movement.
Despite the successes, you remember the failures - rather lovingly.
The musical has always been in jeopardy - until - or was in jeopardy until it was realised that it is probably the safest living theatre art form.
I didn't go into the theater to be a producer, I went into the theater to be a director.
Audiences are quite happy to be astonished, and they don't care who does that astonishing.
I don't look back. I look forward and plan new shows. That's really feeding the most important part of working in the theater.
I got successful awfully quick, and I wanted it. . . But I do think there is responsibility to move the musical theater form forward. I think you always have to be aware of the work that came before and build on that.
Always expect the best. Then if you have to hurdle a few tough problems, you will have generated the strength and courage to do so.
…you guessed that somewhere, in heaven knew what country and what guise, there was someone who was part of your body and your brain, and that without him you were lost, a straw blown by the wind.
Nobody, I mean nobody, puts ketchup on a hot dog.
I will defend Planned Parenthood. I will defend Roe v. Wade, and I will defend women's rights to make their own health care decisions.