The plain rule is to do nothing in the dark, to be a party to nothing underhanded or mysterious, and never to put his foot where he cannot see the ground.
Tell everyone that your mistakes are art. You can get away with a lot that way.
What I love about new technology is that it really pushes the art. It really pushes it in a way that you can't imagine until you come up with the idea. It's idea-based. You can do anything.
Exploitation films were famous for taking an issue an exploiting it because they could move much faster than a studio could. If there was any hot topic, they would run out and make a quick movie and make a buck on it, by changing it around and using it, in some way, to give some relevance.
The accidents are things that audiences always remember most, I've found on my own movies. The things that they like the most are the things that were just by accident. So you have to create a situation where nothing but accidents can happen the entire time.
I always wanted to be a stay-at-home dad making art, making movies.
A lot of 3D movies have so much on the screen that you almost don't know where to look.
This world was once a fluid haze of light, Till toward the centre set the starry tides, And eddied into suns, that wheeling cast The planets: then the monster, then the man.
I don't need interesting camera angles, I am interesting.
By four o'clock, I've discounted suicide in favor of killing everyone else in the entire world instead.
I think some of the pressure comes from the expectations of other people. Like if your father played baseball, they expect you to be the big lifesaver or something when you play a sport.