Running down a dream. . . working on a mystery. . . going wherever it leads.
I think what is great is that if anything that I do is interesting to somebody else, then I really don't think it matters at all what I had originally intended.
I don’t know you, And you don’t know me. It is this that brings us together.
I split it up into working on the two narrative pieces that can tell a story. The scariest thing was whether I'd be any good performing live again. It was such a long time since I'd done any live work. It's so different for me than recording. Every night my audiences were what I would dream of. You could just feel their support.
The thing with 50 Words of Snow is that it was literally back-to-back from Director's Cut [also released in 2011]. It was more or less that I got to make two albums in one hit. I was already in this space in my mind to be writing and making an album.
It wasn't that we were afraid of the Church or the Vatican. The record company thought people might find the title offensive. They asked me if I would change ["A Deal with God"].
They were worried we wouldn't get any radio play at all[ for "A Deal with God" ]. That's why it was changed [to "Running Up That Hill"].
The idea of forever is kind of ridiculous, which is unfortunate because its kind of a nice thing to say, you know. I think it softens the blow of mortality and having to say goodbye to everything you know and everyone you love and all that kind of thing.
We fight to great disadvantage when we fight with those who have nothing to lose.
To teach is a necessity, to please is a sweetness, to persuade is a victory.
As a foreigner in London, I like that there are so many other foreigners.