As a teacher in order not to have to answer too many questions, you stretch your answers.
I think we all want something to knock us on the head and change our lives.
At a certain point, I got interested in set design for the theater. I was interested in architecture, but I was taking photographs at the same time, and architecture, though it had the design element, it didn't have the narrative, emotional element that I was looking to do. I ended up painting for a while. I was dancing around it, and I realized that all these different interests came together in filmmaking.
When I was younger, I wanted to own a circus and create this bizarre revue that went from town to town. And, I was interested in set design and doing theater. And then, I was painting for a while. It was all circling around creating an intense experience for an audience of one, or an audience of many.
I think it worked two ways. One, a lot of people writing about the movie used that as shorthand and it could either be a good thing or they could use it to dismiss the movie like we were a copycat movie or something like that. It's very much its own story. It is a young woman in a post-apocalyptic society, but after that it's just a whole different kind of story and a different journey that she goes through.
On one hand it's very flattering to be compared to a big success, and then sometimes it's very frustrating because you want people to see the movie that you're making and not be continually comparing it to something that it's not. So it goes both ways.
But at a certain point you've gotta be ruthless with the movie because you can have these great scenes, but they aren't specifically building the story that needs to be built at that moment.
Old customs are easy to forget with the flashing of events in our lives. Easy to forget, like the heavy clothing we once wore to survive the winters. It is an old custom, the handing down of things. A good knife, a well-made pipe, a heavy robe. Tradition falls prey to constant change, and creativity becomes so revered that the past is a relic, only to be admired. But in this coat, I was held to the earth, pulled to the past by its weight.
I can't seem to stop singing wherever I am. And what's worse, I can't seem to stop saying things -- anything and everything I think and feel.
The best part about performing is when you can fill the room with energy and you get that vibe back.
Religion, a medieval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms. This religious totalitarianism has caused a deadly mutation in the heart of Islam and we see the tragic consequences in Paris today.