I'm known as a light artist. But rather than be someone who depicted light, or painted light in some way, I wanted to have the work be light.
We're on tour to kind of explain why we do what we do, how its done and how we put it together.
Dear motorist on the information superhighway. I'm sorry I do not have a car.
When I'm playing with the band or playing with some projects or some of my own stuff it's about the musical approach. That would be the more turntablist approach to things of where it's strictly about music.
My scratching I don't really think communicates to intelligent life forms. Anyone with more than one brain cell would think Kid Koala music is completely retarded.
Playing with decks, for me, has always been about trying new things. I make it a point to keep trying different things, keep pushing it a little bit at a time.
I really enjoyed the sort of real crazy, eclectic layering stuff and how it all worked together. I could tell it was some of it was derivative of something. I could tell that certain things were being looped around and I just really enjoyed the way that it all came together.
Sometimes I think more creativity is put into muffin recipes than into the rest of society combined.
I am not interested in making didactic polemical statements. That is not the way I want to make films. There is a place for polemics, but I don't think that it is in fictional cinema. Fictional cinema works subtly and deeply.
I only take on roles that I'm passionate about.
Actually I don't know if honesty is a strength or some kind of weakness.