Rousseau defined civilizations as when people build fences.
Visual tonics such as 'timed creativity' need to be introduced to refresh and refurbish the muse.
Our bodies, apart from their brilliant role as drawing exercises, are the temples of our being. Like the bodies of all fauna, they deserve both our study and our appreciation.
The job of art is to turn time into things.
There is a wonderful feeling when you walk into your own exhibition. You see the work as a true extension of yourself. Win or lose, your interests have led you to an accumulation of your personal expression, signed lower right, mounted to best advantage.
Pushing yourself to extremes blows out the cobwebs of trusted habit. It shakes up what you know to be reliably safe and substitutes the miracle of insecurity.
The brilliance of art as a collectible is that it has a way of reaching out on an emotional level. It touches on mystery, even spirituality.
And, of course, method is very important as is a high-quality specialist (trainer) working with you to keep you going in the right direction for your improvement and to help create results.
I think chemistry is finding something you love about a person and then transfering it to an in love kind of thing.
I like to sing love songs.
The mental body, like the astral, varies much in different people; it is composed of coarser or of finer matter, according to the needs of the more or less unfolded consciousness connected with it. In the educated it is active and well-defined; in the undeveloped it is cloudy and inchoate.