I follow a more easy, and, in my opinion, a wiser course, namely--to inveigh against the levity of the female sex, their fickleness, their double-dealing, their rotten promises, their broken faith, and, finally, their want of judgment in bestowing their affections.
In a way, that's also a recognition that Dante needs Virgil and that the Inferno needs the Aeneid and that the epic needs a model and that for Dante to write this great poem he needs someone to come before him and he turns to Virgil's text, especially book six where Aeneas goes down into the underworld. And for me, that's a model of the poet's relationship to previous poetry, to another poetry as calling out for guidance.